Posts
HRFTM

Archive for the ‘Epic’ Category

What you missed

Tuesday, April 21st, 2009

FRESHLY back from the fresh Peanut Butter and Jelly Party put on by Syntax and Illect recordings. I think I’m just going to list off the things you missed. There was too much happening to put it in a succinct post. To start it off, check out this video from the event:

You can see Me and Bobby pretty well during Braille and Redcloud’s sets (at the end of the video).  What you will not see on the video is sintax.the.terrific dropping all new material (minus one track that was on a Sphere Podcast) from the next DS5 record. All I have to say is: freshness. I got a chance to talk to sintax and he said they were still shopping for a distributor so no word on when it will drop. Same goes with the music video from the album. Leaks are starting to pop up on the internet but I say let the crew get their hype when their record drops and wait for an official release.

At the PBJP you would also have seen Odd Thomas RIP the microphone. He was perhaps the best single performance. Maybe his sound just worked best in the cramped gym (rain location) but his set was intense. I need to pick up some of his work stat.

Fabled Deliciousness

Fabled Deliciousness

To those who frequent the Sphere, you know what this is. It was delicious.

You also missed the Scribbling Idiots shred their set. Every video I’ve seen of them has some kind of mic issues. At the PBJP it was 4 mics for 5 MCs. No sweat, they worked it out and brought the back and forth play that was on a professional level. I would have liked to see a longer set from the SI crew, but with only 3 hours and 8 artists to work in I can understand. I’ll just have to catch them again sometime.

You also missed Josh, aka Plastic. Dope guy. Gave me a cookie and asked me to punch Patrick in the stomach.

You also missed MuzeOne, Propoganda, and Kaboose on the mics. Dope collab of Kaboose and MaxOne on Build It Up. Strong beats and raps were brought.

You also missed Braille. You missed Keep On. You missed balancing on one foot and collabs with Theory Hazit. Plus a new track coming up on his next joint with Syntax. Plus about a million copies of CloudNinteen.

You also missed Redcloud freestyling for at least as long as his prepared set. He rocked a good set of tracks, from Good Will Chopping to Tapitio. Throw in the Kaboose collab on Intercontinental Grand Dragons. Very fast. Very talented.

You also missed PB & J and milk served in plastic champagne glasses.

You also missed $5 Illect recordings CDs.

You also missed CloudNinteen.

You also missed Kballa and ThaRealNC from the sphere boards. Kballa ended up staying at the same hotel we did.

You missed Nashville, a 10 hour drive filled with what I think is a pretty good introduction to the underground Christian Hip Hop scene, but you’d have to ask BobbyO about that, RAIN/SUNAMIS, the Marks sisters, Rockstar energy drinks, a comfy Super 8 motel bed and free wifi. Also many SNL references and green screens. Also Spoken Nerd offering his house for me to stay in for the night.

To not miss out on this, and more, next time stay tuned to HRFTM for more central east coast opportunities to get your HHH on. Peace.

Long overdue

Saturday, April 4th, 2009

Word. With the PB&J party only TWO WEEKS away you can imagine that I’m pretty pumped. There’s still one slot open too if you’re up for a 11 hour car ride one way for a 4 or 5 hour show (though this will be the best 4 or 5 hours of your life). I’ve been busy finishing up student teaching (wow that went by fast) but now I’ve got a moment so I’ll drop a post.

Today I bring Glue. You may remember them from my Non-Traditional Christian series (part 1 or part 2). I’ve worked out a way to include one of their gems in this blog. I try really hard to only throw up legitimate copies of songs that were promoted by the artist. You can easily find any song you want to listen to on sites like youtube or imeem but I want to keep it legit. There are a lot of dope artists breaking their backs to make music and make a living and there are also a lot of people working hard to promote that music and ensure a sustainable industry. I want HRFTM to add to the scene, not take away. This is why I believe in investing in a CD rather than downloading a free copy off rapidshare or mediafire. All this to say that this post comes close to that fine line.

One of my favorite songs by Glue is Fighting Ends. There are no live renditions that I could find, there’s no MP3 copy at the Sphere, but it is available on their myspace. Using a little net magic I was able to pull it and embed it to this post. Both myspace and glue are credited but if I get any angry letters/e-mails I’ll take it down and just put up a link. This works in Firefox on linux, not sure about anything else but it’s really not that complicated so it should. Worst case it autoplays the song or maybe the internet will collapse. (Cross-browser and cross-platform are not my areas of expertise.)

Wow this is going to be a long post. This is a pretty crucial song. Take notice though that I threw up the explicit category for this post. The worst you’ll hear in Fighting Ends is “damn”, but some of Glue’s other songs in the player are more colorful and the myspace player randomly chooses the next song. Here’s the player. Don’t click till you’re ready to hear the song.

The Player

Alt link: myspace popout player or Glue’s myspace.

Also check out the lyrics:

Kill these distractions that keep me from my loved ones,
Who tell me that I’m on the humble road to being someone,
People talk about, people reach out too,
People are my business so I’m blessed to have a mouthful
Of advice, but at what price, do I start to pay the overdue fees?
Challenged by the mortal power to set all the zombies free,
It doesn’t come easy when you lose the angel strength,
Numb to your bleeding elbows you lose a lifetime off your reach,
To catch the glimpse of your purpose, to make eye contact with death,
To finally have an answer, dealing with the pitch black left,
By the big unknown it took 66 books to describe,
Without mentioning our obsession with asking the question why?
The tortured ones walk endless with a set list in their pocket,
Because every song is a commandment rarely broken to be cautious,
Of the monsters holding a candle under sleeping eyelids,
Relighting when the flame fades, jaded from the human virus,

They will never understand, the curse of giving guidance,
One day we won’t have to use all these excuses,
They will never understand, how much we take for granted,
Keep its back to the wall keep the strength death refuses

Chances are you’re gonna see it in their eyes,
But don’t be surprised when the volume of the voice starts rise,
I can’t believe I’ve been standing here all night,
What kind of insight, can talk theology,
Without starting a useless fight,
From the makeshift pulpit, 3 feet off the floor,
With every glass of water I drink, the liquid recycles through my pores,
So I’m ready to begin digging graves and playing records,
On a second wind provided by the search for something better,
I swear in this environment the world always spins backwards,
The jukebox pays you, to drown out rooms crowded with laughter,
But I won’t start until they are all paying full attention,
I can’t find a compromise or give myself a deadly weapon,
To end the evening with a bang, with ghosts in my words,
To make god smile just once with no favors to return,
Never mind, what kind of sacrifices we all had to be make,
Let the burden blend into the drums as your backbone breaks,

They will never understand, the curse of giving guidance,
One day we won’t have to use all these excuses,
They will never understand, how much we take for granted,
Keep its back to the wall keep the strength death refuses

The spectrum is exhausted, costing millions piece of mind,
The bi polar angst of a world constantly wasting it’s time,
Conquering your rebellions to better the wealthy cause,
By brainwashing role models to give you drugs and bruised jaws,
We suffer now so blatant; songs start to get repetitive,
They sell you life for $20 dollars but never included medicine.
And we hardly have patience for the first scratches to heal
But we’re convinced the last 5 years haven’t been real,
We’ve experienced it all but haven’t lost the will live,
We’ve seen people take their lives but something’s got to give,
If no one told you to keep fighting, then let me be the first to say,
The promise holds weight no matter hour, second, or day,
The connection pulls us closer, we all relate to getting older,
Whether protester or soldier someday these wars are over,
Life never leaves but stays away from changes burn,
Death will answer questions but has to wait its proper turn.

The message at the core of this song is an almost jaded exhaustion from being called to rap. The feelings can be extended beyond to include any debate or any suggestion of advice but Adeem is mostly speaking as Glue’s front man MC. I love the way he displays the gospel in his message. Never does he use the word Christ, but it’s like looking into the Grand Canyon. The rocks don’t spell out “Jesus”, but to those who believe God created the universe it couldn’t be a clearer picture. The references are subtle, but they’re there (finally having an answer, setting zombies free, “66 books”, strength death refuses, etc).

The first verse sets up Adeem’s struggle with even just finding his purpose. Welcome to just about everybody I ever come in contact with. This is why Purpose Driven Life sold millions of copies. It really is a struggle to find what you’re supposed to do and simply becoming a Christian doesn’t automatically answer those questions. God doesn’t just hand out career cards to everybody. I suppose it’s an effort to produce simpler lives in us that much more often he lays out daily tasks rather than 10 year goals. However Adeem has caught a “glimpse” which was to rap. I feel I’m in a similar boat with my call to teach.

You also start to get a sense of the difficulty of the task in the first verse. Strong language like “tortured” shows some of the jaded feelings:

The tortured ones walk endless with a set list in their pocket,
Because every song is a commandment rarely broken to be cautious,
Of the monsters holding a candle under sleeping eyelids,
Relighting when the flame fades, jaded from the human virus

This goes directly into the chorus which again is not so cheery.

They will never understand, the curse of giving guidance,
One day we won’t have to use all these excuses,
They will never understand, how much we take for granted,
Keep its back to the wall keep the strength death refuses

Never understand, Curse of giving guidance. Harsh words. Yet it’s finished with Keep the strength death refuses. Sounds hopeful to me.

The second verse goes to the stage, the makeshift pulpit. Frustration ensues, what kind of insight can talk theology without starting a useless fight? Ever felt that way? Ever read a Christian forum or seen disputes in the comments of youtube videos? I think we have done an injustice to God and to children today in letting them assume that their part in the gospel is always offensive, on the attack, rather than letting the Holy Spirit attack while we respond with meekness and fear. Wise words take insight. Despite this frustration Adeem sticks fast to his convictions:

The jukebox pays you, to drown out rooms crowded with laughter,
But I won’t start until they are all paying full attention,

While ultimately it’s out of his control:

I can’t find a compromise or give myself a deadly weapon,
To end the evening with a bang, with ghosts in my words,
To make god smile just once with no favors to return,
Never mind, what kind of sacrifices we all had to be make,
Let the burden blend into the drums as your backbone breaks,

The third verse starts with a Listener-esque tirade against some of the claims of the world. We suffer now so blatant. However, Adeem ends with more hope:

If no one told you to keep fighting, then let me be the first to say,
The promise holds weight no matter hour, second, or day,
The connection pulls us closer

I’m not sure if the connection is referencing Christianity or merely humanity in itself (which, as an extension of God’s creation, ultimately would pull us closer to him). Stay encouraged in your advice giving which you have been called! Arguments will ensue, advice will be ignored, but if you have been called what else can you do? Remember the promise.

I’ve made it this far into my analysis without referencing the beat of Fighting Ends. Phenominal. Driving and complimenting Adeem’s emotion. I especially like the interlude between the verses and hook. The play between the vocal sample cuts and piano are nothing short of beautiful. Maker’s talent is pretty much unparalleled in my book. DJ DQ tears up the cuts as well.

So word. Most epically long post on HRFTM yet. This track comes off Seconds Away, which is most definitely a CD you should invest in. I’ll leave with another lyric to stay encouraged in your struggles:

Whether protester or soldier someday these wars are over. Peace.

PB & J party part 2

Friday, March 13th, 2009

Word. Here’s the youtube promotion but embedded this time:

So I found a hotel with room for 4 for $70. And it’s only like 8 minutes from where the show’s going to be. Here’s the linup:

This lineup is killer. I’d drive at least 5 hours to see any one of those artists, but you get them all in one night, plus it’s the whole SI crew, so a 10 hour drive really isn’t a problem. This will be the best show I’ve ever been too. If you’re free, you really can’t miss this.

Here’s the plan. Drive down Sunday morning (7 or 8 AM). Get to the hotel (so far it’s $70 for a 4 person room with two beds). Hang out till the show (7 PM). Rock. Back to the hotel to sleep and check out Monday morning. If you want to join the party and have a couple bucks for gas and the hotel, drop me a comment.

Check out this video review of last years PB & J Party:

Peace.

Oh you hate autotune too?

Monday, November 24th, 2008

Heh. Mini update here. Caught this out of the sphere forums. If you hate autotune as much as I do you’ll enjoy this little project. Reminds you of so many artists who didn’t need that crap to be dope. Check The Death of Autotune. Some of the songs have explicit language so just watch for your kids and enjoy.

Holla if you hear me yo

Sunday, November 16th, 2008

Updated (11/17/08).

Word up. How do you like the new banner? I used GIMP to create one and it was absolute trash. Then I learned that you can use Photoshop brushes in GIMP, found a nice set with all the arrows, stole the color scheme from a GIMP tutorial, and presto! It took me roughly 2 months to come through on the promise to spice up the site. Luckily it won’t take me as long to come through on a discussion of Kaboose’s latest CD, Excuse Me. Here’s a video of Kaboose in case you don’t know who he is. Ironically, this song uses a beat from Redcloud’s Water World which is on Fashion Expo: Round One which I happened to order at the same time as Excuse Me.

The first thing you’re going to want to do before reading this review is to check out Kaboose’s myspace and check out the songs Goin’ Outta Control and Be First. These are two tracks available off the new CD. My brother encouraged me to pick up Excuse Me after he ordered it. I’m glad I didn’t sleep on this one. The production is real solid. All the beats are at least an 8 or 9 out of 10 except for Goin’ Outta Control which gets a 15. It’s got kind of a mainstream feel that could easily be bumped in a club, yet I don’t hate it. Quite the opposite: it’s phenominal. It’s available to listen to on his MySpace too so check it out. Every track isn’t a club hit. Don’t Go To Bed Mad At Me, Reveal Yourself, and Excuse Me have some nice vocals in them and kind of remind me of Sackcloth Fashion’s epic The Lone Flower (which, by the way, is a great transition from traditional worship music to HHH (if you could find it somewhere)). Inbetween the mainstream and more traditional worship sounding songs lies some bangers. I could listen to Build It Up and Be First all day. Like I said, very solid.

Kaboose also brings it with the raps. He’s got a great presence on the mic and his sick flow is probably best recognized on The Land of Lakes. Kaboose gets pretty heavy on a few songs as well. In Two Sides which talks about his Duality from a white mother and Native American father. The guest spots are pretty nice too. Then again, how could you go wrong with MaxOne and Redcloud?

You can preview the tracks or grab this release off Syntax Records here from the Sphere. I would highly recommend it. This could easily be my favorite CD of 2008. Don’t sleep! Peace.

Update (11/17/08): Check the Sphere’s latest podcast to hear Kaboose’s Build It Up. Podcast is available here.

Freeeesh raps

Sunday, October 19th, 2008

Whenever I introduce somebody to HHH I use this CD. The production is beyond solid, the guest spots are executed flawlessly, and the raps are oven fresh. This CD is legendary in HHH circles and underground Hip Hop alike. I have previously used a track from this CD to introduce the HRFTM following to the super group Lightheaded. Now I present to you a song from the CD you ABSOLUTELY MUST OWN if you’re going to say you’re interested in HHH. From Ohmega Watts debut solo album, The Find: Long Ago (featuring Othello).

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

Download | From: Sphereofhiphopmp3.com

The production on this song emphasises Ohmega Watts outstanding beat making abilities. Chill with strong drums, this beat is just groovy. The Find has 22 tracks too so there’s plenty of freshness to go around. I’ve been looking for an instrumental version of this CD, for which I’d honestly pay like $40. Each track can survive as an instrumental. There are three excellent interludes but also several tracks where Ohmega flat out leaves the rap to just tear it up on the beat. I can’t stress the goodness of The Find enough.

Not only is Ohmega a truly dope producer, he can also seriously hold down the mic. On Long Ago he brings out some old school Beastie Boys style back and forth with Othello. Another reason you should buy this CD is for the guest spots. Seriously there’s like 18 different artists on The Find. I remember hearing some criticism when the CD first came out about there being too many guest spots and not enough of Ohmega proving himself, this being his first solo work. To that I say, listen to track 7 (A Request), where Ohmega proves his MC and production skills alone unquestionably.

So I’m going to say it again. Honestly if you want to call yourself a HHH enthusiast, you have to own this CD. If you say you’re into Christian Hip Hop but don’t own The Find I’m going to know how deep you go. You own CM’s Holy Culture? Dope. Represent. You own Ohmega’s first solo joint? Now we’re on the same page. You can purchase this gem here from the Sphere and support a dope ministry at the same time. If you only buy one HHH CD, it should be this one. Invest in it. I have friends who have 10s of thousands of mp3s on their computer who are constantly listening to new material. Why not get a classic you can ALWAYS listen to? I’m not a broker, but I can tell you if you took $15 and put it the stock market you’re probably not going to make any money in the next several months. What you are guaranteed to get is 72 minutes of dopeness whenever you hit play with The Find. Your choice.

In the next installment, I’ll be using the spiraling economy to my advantage again to show you what you can do with just $25. Peace.

If you’ve got soul…

Friday, September 19th, 2008

…then you’re superman. As previously promised:

Deepspace 5 – Deepspace 5oul

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

Download | from:Sphereofhiphopmp3.com

This is from the amorphous super group DS5. I talk about and reference them a lot. That’s because they’re amazing. This track comes out of Beat Rabbi’s mind as he was able to gather verses from the crew over the past couple years. The Deepspace 5oul CD has long been anticipated and for good reason. Grab it from the sphere and you’ll get the instrumentals for free. Rabbi, a guru of vinyl, simply rips it up on every track. Check the drums; they smoothly fit into the tracks yet drive them at the same time. Check the base lines as well. This is truly a soul album.

Deepspace 5oul is not a typical DS5 CD but more of a “Behind the scenes” project with most tracks featuring a solo/duo of DS5 members. Rabbi has labored to find the “soul” of DS5 and I really think he has. There’s a lot of history with each member of DS5 and fans of the scene will recognize the subgroups that the duo tracks represent. I would say Deepspace 5oul is definitely a fan CD but the attraction isn’t limited there. I believe Rabbi’s beats and breaks can pull in people who’ve never heard of Labklik, PC, or The Pride. If you’re a fan of talented hip hop, pick up this CD.

On to this specific track, also titled Deepspace 5oul. This is a classic Deepspace 5 intro track as only this crew knows how to bring them. From the 7+ minute fresh track from The Night We Called it a Day to Talk Music from Unique (previously featured on HRFTM), DS5 intro tracks always have a fresh beat and a lot of power. They energize the album. Deepspace 5oul is no exception. This track lets you know it’s a DS5 CD at heart. Sivion, who hadn’t joined the group when TNWCIAD came out, “stick(s) it right up in your ear”, referencing a song off that CD while Rabbi drops in the oh so recognizable flute sample from the same song. Sintax even manages to drop in some heavy theology with, “we’re not just a product, the we’re the passion of Christ”. Word!

To put it simply, this track is talent. Every emcee smashes the mic and Rabbi holds it all together. Download this a put it on your Ipod. Soak it in. I was originally going to categorize this post as “light” but there’s way too much in this track. Study it and you won’t just see the 5oul of DS5, but Christ. Peace.

You don’t know the power

Friday, September 5th, 2008

You might remember me talking about the Bar Wars Project in a previous post (check it for the back story on Bar Wars). The time has come to revisit the art of dope sampling. Presenting:

Bar Wars – The Fans of the Business

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

Download | from:Sphereofhiphopmp3.com

This is a fairly simple but dope beat. The drums don’t change up that much but they drive the song. The horns and strings samples are obviously straight from the Star Wars soundtrack. Again they’re simple but are looped seamlessly and pretty much demand that I tag this post with ‘epic’. There’s something really satisfying about hearing a tight rap song that has samples you recognize in it. It’s like wrangling the original song into submission, transforming it. To make it as seamless as The Fans of the Business takes some real talent too. Anyone who thinks the people who sample aren’t creative or artists and that turntables aren’t an instrument needs to get real. Sure some producers are wack but you can’t compare a group of fourth graders playing recorders to the New York Symphony can you? Plus, who could argue with the Vader sample? He preaches with authority the message of the song. Couple scratches to emphasize it even more. You don’t know the power; of the dark side. Epic.

Then we get to YSG’s verse. Very nice flow on this song. I wish I knew more of the back story on YSG. I only really know him from this project. What I gather from this song though is that he’s just being real by giving us an insight into a rapper’s world. YSG admits that it’s tough to not get caught up in the glamor and sell out Hollywood style.

revealin’ myself to pages on stages but that’s attached that
make me flash back to the lab and try to surpass that
rhyme that wrote or that rhyme that i spoke
from the whole of my soul with some lines you could quote

It’s like building the tower of Babel almost. We think we can surpass God. YSG goes on to talk very specifically with his struggles to use the gift God gave him knowing what he was spitting wasn’t Christ. Conviction is crucial. Forgiveness is stretched out. How often are we just trying to numb out the conviction though? With forgiveness just a step away. Word. You don’t know the power.

Good song. Look for a couple of excellent posts coming up soon. I’m going to try to write the bulk of them right now actually. One on an update on the super group DS5 and also the second post for the “non-traditional Christian” series. Peace Ya’ll, keep it real.

I must obey my master.

Oldschool (for me)

Thursday, July 24th, 2008

Labklik – Conquistador (feat. 3NP) Download

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

from: Sphereofhiphopmp3.com

.

Just a quick post here on a dope track recorded before I started listening to hip-hop. The track sound real gritty probably because it was made in somebody’s basement. Though it doesn’t sound like Nas’s latest professionally mastered CD the beat is well constructed and Listener (from Deepspace5) kills his verse. I really like the trumpet in the background; it makes the song epic. I got a chance to see listener a couple summers ago when he was doing his tour of homes. Cool guy though he’s eveolved from traditional “rapping” to “talk music” which is kind of like spoken word but still over dope beats. He sounds kind of cynical when he raps but there’s a lot of meaning behind what he’s saying. Check out Ozark Empire to see what I mean.

I think I’m going to try and get some more interaction on this blog by having mini-quests similar to the Pelt family’s blog. I got a couple of itunes downloads sitting around (I hate itunes) and I might even splurge for a cd from the Sphere. Leave some feedback with any ideas you have too, whoever you are that are reading this. Peace.

Dope samples

Tuesday, July 8th, 2008

Bar Wars – A True Hope Download

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

from: Sphereofhiphopmp3.com

.

I had to create another category for this song: epic. YGS-Timothy and some of his friends put this project together. All the beats are sampled from Star Wars soundtracks. The mixtape is available for free from their site so don’t go complaining about copywrite, they aren’t selling the music. If you’ve ever gone looking for vinyl (it’s fun, you should try it at Goodwill or an antique shop) you will come across tons of Star Wars records. Apparently it was a popular movie. Bar Wars takes some samples, throws in the drums and dope lyrics and created a must have mixtape. For free. SO much good music is available for free out there; just think of what you get when you actually buy a cd.

A True Hope is epic. The chorus singing in the background pushes the song to the finale.

We can take this rap game, play it how it should be,
Introduce America where the real hood be.
It’s on college campuses, yep it’s where you work,
And what’s really sad to me is that the hood is in the church,
And that two parents home with that six figure income.
Your daughter’s on coke and she trickin just to get some.
Your son don’t talk and you front like it’s cool.
So we see him on the news, showin up at the school,
With your glock man, cocked back, lord I thought I locked that?
Wanna blame hollywood but lobbying won’t stop that.
Low is the way: pray, fast and seek,
We build our house in seven days while our homes stays weak.

Dope song. Be sure to check out the rest of the tracks too. Peace.